By cacheson - 12/04/2017 11:46
cacheson tells us more.
Hi everyone, and thanks for the comments! It's actually an adult community band for people to just have an outlet without the stress or ability requirement of a higher level ensemble. We were both fairly new to the group. The guy in question is a middle-aged principal software engineer who is an amateur musician, while I am a first-year music teacher with a master's degree. Why I'm not in a professional or semi-professional group? I don't have the time, and there aren't any spots available for my instrument anyway (oboe). How it was: he gave me most of the first oboe parts and took only the two first parts that had giant solos. From a purely objective standpoint his tone is terrible but since it's a low-pressure group I decided not to make a big deal out of it; and also HE was the one talking all the time about dividing up parts and solos, so I was just following his lead. The chart was just a list of all the songs, what types of parts they had, and how many bars of solo were in each. I showed him which parts were his and which were mine and suggested that we use the information to trade some parts so he could be first more often and maybe I could have another solo (since I had next to none at that point). I guess he must have thought I was just trying to take all his solos because he freaked out and said he didn't want to deal with all this "drama" (I'm sorry, who's making drama here?) and then announced he wouldn't be back next week because he was quitting effective immediately. End game: I DO now have all the solos. One of the clarinet players also plays oboe, so he stepped in, and keeps vehemently refusing every time I offer for him to play first or have a solo. He isn't very good, but neither is the rest of the band. After all it is supposed to be just for amateur fun.
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Sounds like he needs to grow up.
Ok based on the comments I'm seeing, I apparently need to clarify one more thing. The other guy had actually already been the one sort of unofficially distributing the parts up to that point, by saying things like "hey, I'm going to play first on this one" or "you should play first for this" and about half of the parts had already been distributed for the folders for the two previous oboists that moved away. Up to this point I had had no say in which parts I got, and since many had been determined before either of us joined I made the chart as an informational tool so that we could determine our own system. I did not assign him and myself parts in the chart, nor did I put anything other than purely objective information in it. It was mainly just statistical information about the pieces themselves, and a note on who was currently playing what in rehearsals. I honestly have no clue why someone would throw a hissy fit over cold facts that I was trying to use as an opportunity to make the ensemble more fun for both of us. Anyway, sorry for another TL;DR!
Good riddance
One time..at band camp..I tried being an overachiever and it blew up in my face.
I don't understand why anyone would think being an "overachiever" would be a bad thing. Wasn't Albert Einstein an overachiever? Harriet Tubman? Mozart??
Keywords
Solos and important parts should go to who plays them best, not spread evenly.
Congratulations, now you get all the solos.